It contains eighteen short solos and choruses , mostly of a brilliant, martial character, the solos being divided between the alto , baritone , and bass. After a brief instrumental prelude , the work opens with the triumphant, jubilant chorus with trumpets and drums "We praise Thee, O God" , written for the five parts, the sopranos being divided into first and seconds, containing also a short alto solo leading to a closing fugue. The second number "All the earth doth worship Thee" is also an alto solo with five-part chorus of the same general character. It is followed by a semi-chorus in three parts "To Thee all Angels cry aloud" , plaintive in style, and leading to the full chorus "To Thee, Cherubin and Seraphim" , which is majestic in its movement and rich in harmony. The fifth number is a quartet and chorus "The glorious Company of the Apostles praise Thee" , dominated by the bass, with responses from the other parts, and is followed by a short, full chorus "Thine honourable, true, and only Son".
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Hyperion Records Thou art the King of glory 2: Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. A thanksgiving prayer was issued to be read in all churches on Sunday 17 Julyand that same day Handel seized the initiative by commencing work on a large-scale Te Deum. The first section, We praise Thee, O God, is dwttingen martial and celebratory in its brass-prominent orchestral writing and vigorous choral character than the title would suggest.
Stephen Layton obviously believes strongly in a work that today ranks almost as neglected Handel. Handel Dettingen Te Deum Duem ninth section, Thou sittest at the right hand of God, at over five minutes, is the longest movement and features enchanting solo and ensemble work by the alto, tenor, and bass singers.
Das Autograph des Orgelkonzerts Nr. To Thee Cherubin and Seraphim. And we worship Thy name 2: The latter half is slow and ponderous, like the ensuing Make them to be numbered with Thy Saints.
Thou sittest at the right hand of God. Jazz Latin New Age. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Handel Edition [65 CDs]. This is an energetic and well-managed recording, with precise but never mechanical execution by the band and signing that displays both the sterling quality of the soloists and the choral singing of the time-honored English cathedral tradition in a rich and reverberant setting.
Te Deum for the Victory of Dettingen. But the next movement, Day by day we magnify Thee, opens with a celebratory trumpet and orchestra, the joyous chorus soon joining in. Though shalt give him everlasting felicity. Most fundamentally, the battle at Dettingen was a peripheral skirmish, not one leading to an advantageous or desired peace treaty after a difficult prolonged war that was not to come until Octoberwith the arguably unsatisfying Treaty of Aix-la-Chapelle.
To Thee all angels cry aloud. Site may not work as expected! The seventh number is a stirring bass solo with trumpets. Paulskathedrale verblasste zusehends als klar wurde, dass Georg II. The Complete American Victor Recordings. The next movement, All the earth doth worship Thee, while festive and joyous, conveys a genuine angelic sense, and the ensuing movement, To Thee all angels cry aloud, in its lovely soprano solo, slow pacing, and gentler sonorities, contrasts well with the previous sections.
Under his fervent, energetic direction, Trinity College Choir topped by a notably pure soprano line strike a nice balance between choral-scholarly refinement and earthy, swashbuckling directness in the swaggering D major choruses. Because the King putteth his trust in the Lord. The Academy of Ancient Music match them in style and panache, with superb trumpet solos from David Blackadder.
Choral-orchestral balance is ideally judged in the atmospheric acoustic of Trinity College Chapel. The all-time greats Read about the artists who changed the world of classical music. On this recording two sections—the ad libitum and the opening of the Grave —are improvised by the organist Richard Marlow.
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Dettinger Te Deum
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