Rhetorics of Development, Diversity and Tourism 6. Looking for beautiful books? References to this book Management and Creativity: Arguing that the study of culture and policy should not be confined to prevailing governmental agendas, the book offers a distinctive and independent analysis of cultural policy. Moral Panics and the Media Chas Critcher. Understanding Alternative Media Olga G. Sport, Culture and Media David Rowe.
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Read preview Synopsis a fascinating, thorough and expertly argued discussion of the modes and practices of cultural policy in an increasingly globalized and neoliberal world.
European Journal of Communication Rethinking Cultural Policy addresses issues concerning culture, economy and power in the age of new-liberal globalization.
It examines how public cultural policies have been rationalized in the past and how they are being rethought. Arguing that the study of culture and policy should not be confined to prevailing governmental agendas, the book offers a distinctive and independent analysis of cultural policy. The book examines a wide range of issues in cultural policy and blends a close reading of key theories with case studies. It succeeds in illuminating a new line of enquiry into several exciting topics at the heart of current debates.
In the course of elaborating a critically reflexive approach, McGuigan challenges the prevailing instrumental imperatives of much cultural policymaking, where policies are formulated and enacted for economic and social purposes that are not specifically cultural. In a sense, McGuigan argues, cultural policy is being asked to do too much. Rethinking Cultural Policy invites a thorough reconsideration of pressing concerns that goes beyond a narrowly instrumental and reductive treatment of cultural policy.
It addresses a set of critical issues that include the relations between brand culture and global exploitation, the use of cultural policies in the interests of national aggrandisement and corporate business, and the impact of neo-liberalism on poor countries with regard to developmental tourism. In so doing, McGuigan questions emergent cultural capitalism from a position that stresses the need for research in the public interest and democratic debate.
This is a fascinating discussion, and as such sure to be welcomed by everyone seeking to reinvigorate the key ideas informing the field of culture and policy. The Issues in Cultural and Media Studies series aims to facilitate a diverse range of critical investigations into pressing questions considered to be central to current thinking and research.
In light of the remarkable speed at which the conceptual agendas of cultural and media studies are changing, the series is committed to contributing to what is an ongoing process of re-evaluation and critique.
Each of the books is intended to provide a lively, innovative and comprehensive introduction to a. Full access to this book and over 94, more Over 14 million journal, magazine, and newspaper articles Access to powerful writing and research tools Book details.
History[ edit ] Prior to the twentieth century, the arts were typically supported by the patronage of the church, aristocrats such as kings and queens, and wealthy merchants. During the nineteenth century, artists increased their use of the private marketplace to earn revenue. For example, the composer Beethoven put on public concerts in the 19th century for which admission was charged. During the twentieth century, governments began to take over some of the arts patronage roles. Over the twentieth century, governments established a range of other institutions, such as arts councils and departments of culture. The first departments of culture typically supported the major arts that are part of the Western canon , such as painting and sculpture, and the major performing arts Classical music and theatre. As a result, most opera companies in the 21st century require government funding to operate.
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