FT MARINETTI FUTURIST MANIFESTO PDF

I think when i wrote this paper. Be as specific as possible and u should be good. Marinetti starts his manifesto by describing old versus new, personifying various places and machines. He portrays these engines as demonic.

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Publication[ edit ] Marinetti wrote the manifesto in the autumn of and it first appeared as a preface to a volume of his poems, published in Milan in January In this period in which industry is of growing importance in all Europe futurists need to confirm that Italy is present, has an industry, has the power to take part in the new experience and will find the superior essence of progress in its major symbols like the car and its speed see article 4.

Nationalism is never openly declared, but it is evident. Futurists insist that literature will not be overtaken by progress, rather it will absorb progress in its evolution and will demonstrate that such progress must manifest in this manner because man will use this progress to sincerely let his instinctive nature explode.

Man is reacting against the potentially overwhelming strength of progress and shouts out his centrality. Man will use speed, not the opposite see articles 5 and 6. Poetry will help man to consent his soul be part of all that see articles 6 and 7 , indicating a new concept of beauty that will refer to the human instinct of aggression. The sense of history cannot be neglected as this is a special moment, many things are going to change into new forms and new contents, but man will be able to pass through these variations see article 8 , bringing with himself what comes from the beginning of civilization.

In article 9, war is defined as a necessity for the health of human spirit, a purification that allows and benefits idealism. Their explicit glorification of war and its "hygienic" properties influenced the ideology of fascism. Marinetti was very active in fascist politics until he withdrew in protest of the "Roman Grandeur" which had come to dominate fascist aesthetics.

Article 10 states: "We want to demolish museums and libraries, fight morality, feminism and all opportunist and utilitarian cowardice". Meaning[ edit ] This manifesto was published well before the occurrence of any of the 20th-century events which are commonly suggested as a potential meaning of this text. Many of them could not even be imagined yet. For example, the Russian Revolutions of were the first successfully maintained revolution of the sort described by article The effect of the manifesto is even more evident in the Italian version.

Not one of the words used is casual; if not the precise form, at least the roots of these words recall those more frequently used during the Middle Ages , particularly during the Rinascimento. Objects in reality were not separate from one another or from their surroundings: "The sixteen people around you in a rolling motor bus are in turn and at the same time one, ten four three; they are motionless and they change places. The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it".

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Manifesto of Futurism

Publication[ edit ] Marinetti wrote the manifesto in the autumn of and it first appeared as a preface to a volume of his poems, published in Milan in January In this period in which industry is of growing importance in all Europe futurists need to confirm that Italy is present, has an industry, has the power to take part in the new experience and will find the superior essence of progress in its major symbols like the car and its speed see article 4. Nationalism is never openly declared, but it is evident. Futurists insist that literature will not be overtaken by progress, rather it will absorb progress in its evolution and will demonstrate that such progress must manifest in this manner because man will use this progress to sincerely let his instinctive nature explode. Man is reacting against the potentially overwhelming strength of progress and shouts out his centrality. Man will use speed, not the opposite see articles 5 and 6.

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Filippo Tommaso Marinetti

Marinetti was educated in Egypt , France, Italy , and Switzerland and began his literary career working for an Italian-French magazine in Milan. During most of his life, his base was in France, though he made frequent trips to Italy and wrote in the languages of both countries. Such early poetry as the French Destruction showed the vigour and anarchic experimentation with form characteristic of his later work. His ideas were quickly adopted in Italy, where the writers Aldo Palazzeschi , Corrado Govoni, and Ardengo Soffici were among his most important disciples. In he published a chaotic novel entitled Mafarka le Futuriste in France and Mafarka il futurista in Italy , which illustrated and elaborated on his theory. He became an active Fascist, an enthusiastic backer of Mussolini, and argued in Futurismo e Fascismo that Fascism was the natural extension of Futurism.

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Enrico was a lawyer from Piedmont , and his mother was the daughter of a literary professor from Milan. His mother was an avid reader of poetry, and introduced the young Marinetti to the Italian and European classics. He decided not to be a lawyer but to develop a literary career. He experimented with every type of literature poetry, narrative, theatre, words in liberty , signing everything "Filippo Tommaso Marinetti".

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